{"id":15569,"date":"2017-03-14T15:07:21","date_gmt":"2017-03-14T14:07:21","guid":{"rendered":"https:\/\/blerf.org\/?post_type=biography&#038;p=15569"},"modified":"2017-10-30T13:16:08","modified_gmt":"2017-10-30T12:16:08","slug":"gbadegesin-sangodare","status":"publish","type":"biography","link":"https:\/\/blerf.org\/index.php\/biography\/gbadegesin-sangodare\/","title":{"rendered":"GBADEGESIN, Sangodare"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Textile Artist Address: Ajala Gbedin, 41 Obokun Road, Oshogbo, Oshun State. Birth: August 24, 1948, in Oshogbo, Oshun State. Training: Attended workshop conducted by Ru van Rossem and Susanne Wenger, Department of Adult Education, University of Ibadan, Ibadan, 1966; learned batik technique from Susanne Wenger. Profile: Also known as Shangodare Gbadegesin and Sangodare Gbadegesin Ajala; son of Shango priest, Ajala; traveled to Brazil. Solo Exhibitions Goethe Institute, Lagos, 1982. &#8220;Sangodare, Mythology and Life of the Yoruba,&#8221; Alliance Frangaise, Ibadan, January 15-29, 1988. &#8220;Sangodare Batiken,&#8221; Iwalewa-Haus, Bayreuth, Germany, August 3-October 31, 1990. Group Exhibitions &#8220;African Art,&#8221; Colorado State University, Fort Collins, Colorado, USA, February- April 1973. &#8220;Contemporary Nigerian Graphics and Textiles,&#8221; National Center of Afro-American Artists, Boston, Massachusetts, USA, October 14-November 5, 1973. &#8220;Contemporary Nigerian Fabrics and Prints,&#8221; Ile-Ife Museum, Ile-Ife Black Humanitarian Center, Philadelphia, Pennsylvania, USA, January 1974. &#8220;Contemporary Nigerian Art,&#8221; Renwick Gallery, Washington, DC, July 25-October 28, 1974. &#8220;New Sacred Art,&#8221; National Museum, Lagos, 1975. &#8220;Oshogbo Artists,&#8221; Bayreuth, Germany, 1975. &#8220;African Art,&#8221; Amarillo Art Center, Amarillo, Texas, USA, February 1975. &#8220;Modem Art from Africa,&#8221; Jonade Gallery, Baltimore, Maryland, USA, March 1975. &#8220;Visions of Africa,&#8221; Afro-American Cultural Center, Cleveland State University, Cleveland, Ohio, USA, May 12-23, 1975. &#8220;Exhibition of Works by Susanne Wenger,&#8221; Goethe Institute, Lagos, 1976. &#8220;Neue Kunst in Afrika,&#8221; Mainz, Germany, June 1980; Bayreuth, Germany, July- August 1980; Worgl, Austria, September1980. &#8220;National Art Exhibition,&#8221; National Theatre, Lagos, September 25-October 1, 1980. &#8220;New Sacred Art of Oshogbo,&#8221; Goethe Institute, Lagos, 1981. &#8220;New Sacred Art,&#8221; Cotonou, Benin, 1983. &#8220;Mbari Art,&#8221; California College of Arts &#038;Crafts, Oakland, California, USA, January 18-February 3, 1984. &#8220;Iwalewa: Afrikanische Kunst Heute,&#8221; Stadtische Galerie, Regensburg, Germany, June 9-30, 1985. NoArt Galerie, Vienna, Austria, May 23-June 28, 1986. &#8220;Zeitgenossische Nigerianische Kunst,&#8221; Bonn, Bocholt, and Monchengladbach, Germany, July-October 1989. &#8220;Contemporary Arts from Western Nigeria,&#8221; Zamana Gallery, London, October 27, 1988-January 8, 1989. &#8220;Songs of Power, Songs of Praise: Modem Visions from Haiti, Nigeria and Papua New Guinea,&#8221; San Jose State University Gallery, San Jose, California, USA, September 11-October 18, 1990. Public Collections Iwalewa-Haus, Bayreuth, Germany. Batiks: &#8220;Gewand,&#8221; &#8220;Drummers,&#8221; &#8220;Alaro,&#8221; &#8220;Palmwine Drinkers,&#8221; &#8220;Obatala Festival,&#8221; and &#8220;Orisa Oko&#8221;; adire textile: one untitled; one batik garment. Mbari Art, Washington, DC. Museum fur Volkerkunde, Frankfurt, Germany. Batiks: two untitled.<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"template":"","categories":[168],"writer":[],"class_list":["post-15569","biography","type-biography","status-publish","hentry","category-arts"],"acf":[],"_links":{"self":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography\/15569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography"}],"about":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/types\/biography"}],"author":[{"embeddable":true,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/users\/7"}],"version-history":[{"count":0,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography\/15569\/revisions"}],"wp:attachment":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/media?parent=15569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/categories?post=15569"},{"taxonomy":"writer","embeddable":true,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/writer?post=15569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}