{"id":6154,"date":"2016-11-09T14:35:14","date_gmt":"2016-11-09T13:35:14","guid":{"rendered":"https:\/\/blerf.org\/?post_type=biography&#038;p=6154"},"modified":"2017-04-11T10:31:43","modified_gmt":"2017-04-11T09:31:43","slug":"azeezadetunji","status":"publish","type":"biography","link":"https:\/\/blerf.org\/index.php\/biography\/azeezadetunji\/","title":{"rendered":"AZEEZ, Adetunji"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>B.A, M.A; artist, lecturer, producer, b:November2l, 1967; ht:Okeho; Iga: Kajola; so: Oyo; m:Adefunmilola Juliet Azeez; nc: Two;<br \/>\ned: LAPrimary School, Ajegunle, 1973-79; Community Secondary School, Ojo, 1981-86; Obafemi Awolowo University, 1990-95; University oflbadan, 1997-98; 2002;<br \/>\n cr: Administrative Officer, NYSC, Engineering Materials Development Institute, Akure, 1996-97; Personnel\/Administrative Officer, Engineering Materials, Akure,1997-98; Artistic Dir,Organization for the Promotion andPreservation of AfricaCulture, Akure, 1997-98; Production Officer, Performance Studio Workshop, Lagos, 1998-99;AsstLecturer, Lagos State University, Ojo, (Part-time), 1998-2000; Programme Manager, Centre State Production, 1999-2000; Asst. Lecturer, Lagos State University, Ojo Lagos, 2000-03; Lecturer II, (Part-time), since 2003; Lecturer I, since 2006;<br \/>\nmm: Society ofNigerian Theatre Artists; National Association ofNigerian Theatre ArtsPractitioners; Association ofNigerian Authors;American Studies Association ofNigerian; Committee for Relevant Arts; International Centre for the Arts, Lagos;<br \/>\npubl: Practical Hints onPlaywriting: Thorpe&#8217;s Ventures, Lagos, 2003; OfContext, Content and Protest: Language and Dramaturgy in Tess Onwueme&#8217;sThe Reign ofWazobia and the Broken Cakbash in Fakoye A(ed), LASU Journal of Humanities, Lagos, Faculty of Arts, Lagos State University, 2006; Crisis and the Restoration ofOlder Valu sinFalole Toyin andAnn Genova(Eds,) The YorubaTransition, NorthCarolina: Carolina Academic Press, 2006; OfFeminism and Yoruba Gender Relations: AStudy ofWole Soyinka inToyin Falola and AnnGenova (eds), Yoruba Creativity Fiction Language and Songs, Trenton; Africa World Press, Inc., 2005; Eating theirShit:AnAppraisaloftheProduc&#8217;onProcessofYesbut&#8230; YouSee&#8230; in Jenks Okwori (ed)Nigerian Theatre Journal, Vol.7, No.4,2004; Gender in Soyinka and Osofiyan inJenks Okwori, (ed.) Nigerian Theatre Joumai, 2002; v e&#8217;e;Project Officer, Major Theatre onCombating Female Genital Mutilation in Edo State, Idogbo, Benin City organized by the Performance Studio Workshop, Lagos andthe Ford Foundation, USA, 1998; ArtisticDir., Yes But,YouSee&#8230;. A Play on Resolving theCrisis inthe Niger Delta and Oil ProducingAreas inNigerie Commissioned bytheCommittee forthe Defence ofHuman Rights,CDHR, Lagos and theFord Foundation, USA, Otto, Ogun State, 1998; Project Officer and Artistic Dir., MajorTheatreOutreach on Protecting Widowhood Rights, Abakaliki, Ebonyi State, Nigeria Organized bythePerformance Studio Workshop, Lagos and theFord Foundation, USA, 1998; Resource Person toTrain Staffof Farmers Development Union, FADU, Ibadan; CommunityLife Project, CLF, LagosandAfricanNetwork forthe ProtectionAgainst Child Abuse and Neglect ANPCAN, Enugu inaWorkshop organized by the Performance Studio:-W6rkshop, Lagos and the Ford Foundation, US, 1998-99; Participant, Workshop on: TheMaking of Things FallApartorganized by the BritishCouncilandtheUnited StatesInformation Service Lagos, 1999; Artistic Dir., Monkey Chop Banane A Play on Bar Assoc, 1BA;<br \/>\ntt:Omezimba ofOsuh Owerre Autonomous Community, Imo State; Nwa Eji Amatu ofOkpanam, Delta State; Onezimbe ofOkatta, Imo State; Odenigbb Ndigbo, Lagos State;<br \/>\nh: Knight of St. Christopher, KSC Anglican Communion;<br \/>\n hob: music &reading; off: 10, Chilaka Close, Behind No. I, ibezim Obiajulu Str., offAdelabu Str., Surulere, Lagos; tel: 08033153035;080555790147; 01 -5846501; c-m: ziggyschamber@yahoo.com. <\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"template":"","categories":[176,168],"writer":[],"class_list":["post-6154","biography","type-biography","status-publish","hentry","category-academia","category-arts"],"acf":[],"_links":{"self":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography\/6154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography"}],"about":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/types\/biography"}],"author":[{"embeddable":true,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":1,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography\/6154\/revisions"}],"predecessor-version":[{"id":19139,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/biography\/6154\/revisions\/19139"}],"wp:attachment":[{"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/media?parent=6154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/categories?post=6154"},{"taxonomy":"writer","embeddable":true,"href":"https:\/\/blerf.org\/index.php\/wp-json\/wp\/v2\/writer?post=6154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}