ADEYEMI, Adeyinka Ajayi

Born August 4, 1945
Mr

ADEYEMI,

Adeyinka

Ajayi
Gender: Male
Marital Status
  • Married
Name of Spouse Omotunde Oguntubi, 1969
State of Origin: Osun
Father's Name
Father's Status N/A
Mother's Name
Mother's Status N/A

Has six children

Profession Artist
Working Experience
Previous Appointments:

Cultural Assistant, Cultural Centre, University of Ife, 1968-1972; Artist in-
Residence, Department of Fine Arts, Obafemi Awolowo University, Ile-Ife;
Institutional Membership: Vice President, Confederation of Osun Professional Artist
Association; Osogbo Artist Association; Afro-American Institute since 1976; British
Equity since 1967

A.U.D, Primary School, Iragbaji, 1955-1958; St. Benedict Primary School, Osogbo, 1959-60
Others
N/A

Institute of African Studies, University
of Ife, 1970; Solo Exhibitions: British Council Kaduna, 1972; Goethe Institute, Lagos,
March, 1975; World Trade Centre Ljubljana Yugoslavia, 1985; Out of African,
Amsterdam, Holland, 1987; French Cultural Centre, Port-Harcourt, 1995; Mbari Mbayo
Workshop, Osogbo, 1964; Decorative Art and “Paintings, Prints and Clothes,” University
of Ife, Ile-Ife, 1968-1969; British Council, Ibadan, 1969; “World of Art Week”, Goethe
Institute, Lagos, 1969; “Prints,” Goethe Institute, Lagos, December, 1971;
“Contemporary Nigerian Graphics and Textiles, “National Centre of Afro-American
Artists, Boston, USA, 1973; Nigeria and New Guinea” Musee d’Art Haitian, Port-au-
Prince, Haiti, January-February, 1974; “Contemporary Nigerian Fabrics and Prints,” Ile-Ife Museum, Ile Ife Black Humanitarian Centre, Philadelphia, USA, 1974; “Contemporary
Nigerian Art”, Fenwick Gallery of Art, Washington, DC, 1974; “Tradition and Change in
Yoruba Art, “E.B. Crocker Art Gallery, Sacramento, California, USA, 1974; Afro-
American Historical & Cultural Museum, Philadelphia, Pennsylvania, USA. 1975; “Ife
Workshop Prints. “Montgomery College, Rockville, Maryland. USA, 1975; “Visions of
Africa”, Afro-American Cultural Center, Cleveland State University, Cleveland, Ohio,
USA, 1975; “African Contemporary Art.” Howard University, Washington, DC, 1977;
“exbt: of Graphics, “University of Lagos women’s society, 1978; “Graphik aus Nigeria,”
organized by the Goethe Institute, Lagos, toured Germany, 1978-79; “Osogbo Artist,
Commonwealth trade Centre, London, 1979; “Osogbo Artists,” Osogbo, 1980; “Neue
Kunst in Afrika,” Mainz, Germany, 1980; University of Bayreuth, Bayreuth, Germany
July-August, 1980; Worgl, Austria, September, 1980; “Osogbo Artists,” Lagos, 1982; “De
Goden Zijn Niet Dood,” Provinciehuis, Zwolle, the Netherlands, 1982; “Osogbo Arts, ”
Elf House, Lagos, 1983; “Mbari Art:” California College of Arts & Crafts, Oakland,
California, USA, 1984;” Ife Group of Artists,” France-German Auditorium, 1987;
“Osogbo Artists” Goethe Institute, Lagos, 1988; “Contemporary Arts from Western
Nigeria,” Zamana Gallery, London, 1988-89; “Vision for Excellence,” Home Design
Centre, Lagos, 1989; “Pattern and Narrative,” Department of Afro-American Studies,
University of Wisconsin, Madison, Wisconsin, USA, June-July, 1990; “Songs of Power,
Songs of Praise: Modern Visions from Maiti, Nigeria and Paupa New Guinea,” San Jose
State University Gallery 1, San Jose, California, USA, 1990; Commissions: Mosaic, oriolokun
cultural center, University of Ife, Ile-Ife; Mosaic, Staff Club, Obafemi Awolowo
University, Racine, Wisconsin, Batik; Institute of African Studies, University of Ibadan,
Ibadan; Iwalewa-Haus, Bayreuth, Germany, Linoprints: “Conference of Spirits,” “Dinner
for the Masters, “Ritual Music,” batiks; Forest Screen with Wild Animals” and City”;
Mbari Art, Washington, DC; Museum for Volkerkunde, Frankfurt, Germany, Batiks:
“witchcraft society” and Elephant Hunters in Yoruba Tradition”; State House, Marina,
Lagos; University of Lagos, Lagos

10, Jide Fajinmi Street, Igboya Ile-Ife, Osun State

Alive
Last Update

“Please send your updated CV to: [email protected]” – Editor

© Blerf

All entries available on this Website shall be updated from time to time in order to add, modify or amend the information or contents of an existing entry. Accordingly, no legal proceedings whatsoever shall be entertained by the biographer on account of any information deemed to be inadequate or incomplete.

CONTACT US

We're not around right now. But you can send us an email and we'll get back to you, asap.

Sending

©2024 Biographical Legacy and Research Foundation. Powered by 24hubs

Log in with your credentials

Forgot your details?